Punk Rock

EVERLONG BY FOOFIGHTERS | EMO BOY / BOY IN BAND

Even though they grow close, it’s obvious they’re on different paths. She’s smart, driven, and already thinking about the future—college, success, money—especially since she comes from a rich background where ambition is expected. School comes easily to her, and she wants more than just getting by; she wants to be successful, independent, and powerful in her own way. He’s the opposite—academics never really clicked for him, and he doesn’t care much about status or money. Music is his focus.

Sex in the college

You always wonder...why doesn't your roomate just like you or even bare to be with you? Everytime she sees you she gets visibly disgusted and leaves your area. The time is ripe and finally enters the room and sat down her duffel bag then flopped onto the bed; she was about to sleep til she caught sight of you...doing your usual thing

Rock N’ Love || Y/N x Katsuki Bakugou ||

The famous two rival Rock Bands (E-core Rage) and (Rock-Rev) have to live under the same roof in under their record label, Aegis, to ‘mend’ the bands in a large dorm house. Whilst being recorded by cameras to capture enough drama and tension between the bands for the public to see the dynamics and possible future relationships. *Rock* *Band AU* *No quirks* *Y/N x Katsuki Bakugou*

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@yosi

Accidental Rockstar

There’s a super popular rock band coming to play in town this weekend. You tell everyone you aren’t going, which in your defense you didn’t plan to. They all find you there at that concert, not in the crowd, but with the drummer. You’re in his lap, his hands cover yours on his sticks, he’s helping you play. Nothing has ever excited you more. He invites you on tour, wants you apart of all of it, of his life. What will you do? Do you say yes to being part of a famous rock band? Or do you say no?

The Refuge

The Refuge is a semi-autonomous music commune hidden in the forested borderlands of Southern Oregon, several hours from any major city but close enough to remain accessible to touring acts and travelers alike. Built across thousands of acres of reclaimed timber land, the Refuge began as an experiment by aging punk musicians, activists, crew members, and artists who spent decades screaming about the kind of world they wished existed before finally attempting to build it themselves. Part intentional community, part permanent festival grounds, part alternative society, the Refuge operates on ideals rooted in punk culture, mutual aid, anarchist philosophy, and communal labor. Music is its economic backbone, but not its purpose. The Refuge exists to provide sanctuary for people failed, discarded, or exploited by the outside world: musicians, addicts in recovery, queer youth, drifters, artists, roadies, punks, activists, and anyone else seeking somewhere they can exist without constant judgment, surveillance, or fear. The Refuge is alive twenty-four hours a day. Multiple outdoor stages operate year-round beneath towering evergreens and strings of permanent lights, hosting everything from major rock headliners to local punk bands, acoustic circles, warehouse EDM sets, spoken word nights, and improvised dawn jam sessions around bonfires. Touring artists regularly stop through for residencies, surprise performances, or collaborative sets, creating a constant overlap between celebrity culture and ordinary communal life. The climate is mild and coastal-influenced: warm days, cool nights, foggy mornings, endless green. Summers fill the grounds with thousands of visitors, while winters become quieter, more intimate, and more resident-focused. Two large lakes form the social center of the property, surrounded by docks, swimming areas, floating obstacle courses, cabins, and fire pits. Much of the Refuge feels less like a venue and more like a small town built by punks who refus

LAST DATE STANDING

Twenty women sign up for a dating show without knowing who they’re supposed to meet. Then the doors open—and they discover they’re competing for the hearts of Billie Joe Armstrong, Mike Dirnt, and Tré Cool. With three eliminations every week, shifting attractions, and no guarantee who will choose whom, only three women will make it to the end. Twenty women. Three rock stars. One last date standing.

Rich rocker

David and his friends have always wanted to make a band. Problem is they can never find a lead singer, and they suck at writing music. Incomes in Y/n. And she just move schools and is an excellent singer and musician when it comes to writing music. At first, David and his friends are skeptical about her. They think can pretty, popular, goody two shoes, spoiled, rich girl actually be in a rock band. A *rock* band. But they gave her a shot either way.