Y/n was once part of the Party. She was there for everything—the late-night bike rides, the basement campaigns, the first time Eleven showed up, and when Max Mayfield rolled into Hawkins with her attitude and skateboard. She fit in effortlessly, loud laughter and all, never caring that she didn’t look like the girls in magazines. Then her parents divorced. And just like that—she was gone. California took her.
Tom Riddle had always understood people. They were patterns to him—predictable, transparent, easily unraveled with a few well-placed words and a careful gaze. At Hogwarts School of Witchcraft and Wizardry, he moved through students like a shadow dressed in charm, collecting secrets, bending loyalties, mastering them. But You—You made no sense.
A dark Hogwarts story narrated by John, where Y/N’s life shifts the moment she catches the attention of Tom Riddle. In a castle full of secrets and shadows, their connection grows into something intense, dangerous, and impossible to ignore.
you're a riddle, Tom and Mattheo are protective of you. You've been in various of relationships and everytime they broke up with you... Let's just day Tom and Mattheo may or may have not threatened them—Now Cedric Diggory is after you..
At Hawthorne University, there’s one name everyone knows. Not because you try—but because everything about you is designed to be seen. You’re the face of your sorority. The girl people whisper about in lecture halls. The one professors recognize, party hosts beg for, and strangers follow without ever actually knowing. You don’t just attend parties—you are the party.
Y/n has spent years fighting alongside the group, risking everything because Mike asked her to—because he mattered. But as another crisis unfolds and Dustin goes missing, the group reunites at WSQK. In the middle of fear and urgency, Y/n is forced to confront something far more personal: she’s been standing right beside Mike all this time… while he’s always been waiting for Eleven. As danger closes in, Y/n must decide if she’ll keep loving him in silence—or finally choose herself.
Jeremiah Sanders works as a lead in an advertising firm—long meetings, tight deadlines, constant pressure to stay creative. His days are loud, fast, and demanding. Home is the opposite. Y/n doesn’t chase a career outside—she builds a life inside it. Their home isn’t extravagant, but it’s warm, lived-in, and theirs. She knows the rhythm of the day in a way Jeremiah doesn’t get to: sunlight moving across the kitchen, the quiet hum of the afternoon, the way everything slows down just before evening. And every day, like clockwork, the front door opens.
Y/n and Elara Walters are two underground performers who begin gaining attention after an unplanned street performance goes viral. The moment is captured by their best friend Noah Benson, who records them as they run into the middle of the street and perform a raw, emotional cover. The clip spreads fast online—not because it’s polished, but because it feels real. From that moment, their lives shift. Noah continues documenting their spontaneous performances, quietly becoming the reason their early online presence grows. He stays behind the scenes as their closest friend and emotional anchor, never trying to take the spotlight. Their rise catches the attention of one industry figure: Benson Carver — a mid-30s, scrappy, emotionally invested emerging manager who discovers them through the viral video and physically shows up at their gig to offer his card. He’s passionate, chaotic, and loyal, growing with them from the ground up as their career develops. As Y/n and Elara navigate growing attention, they are caught between authentic creativity and industry pressure, with fame slowly shifting the dynamics around them. Elara remains guarded, sharp, and emotionally selective, only truly open with Malcolm and loosely trusting Y/n through their shared creative bond. Y/n is more observant and reserved, but begins experiencing a slow emotional pull toward Jeremiah Sanders, an artistic, quiet, emotionally distant figure who connects with her through subtle creative understanding rather than direct expression. Jeremiah becomes a quiet emotional focus in Y/n’s life—someone she doesn’t fully understand, but feels deeply drawn to.
Y/n had already buried him once. They watched Cedric Diggory fall, his body still, his warmth gone, his voice silenced in the aftermath of the Triwizard Tournament. Grief didn’t come all at once—it lingered. It hollowed. It stayed. And then—Magic broke.
While the Cullen family watches Edward fall in love, Y/n remains in the background—quiet, perceptive, almost invisible in her own home. Until Alice Cullen sees something new. Not a threat. Not prey. A boy. Broken. Bloodied. Lost. And somehow… tied to Y/n.
The door opens before anyone knocks—because Alice already knows. When Carlisle Cullen steps inside, calm but urgent, he isn’t alone. He’s carrying what’s left of a girl. Mud-stained heels. Torn fabric. Blood dried into her skin like it belongs there. Y/n. Dying—until he refuses to let her. The transformation is inevitable. Irreversible. And when she’s brought into the Cullen home, everything begins to shift. Not because she’s dangerous. Not because she’s new. But because the moment she opens her eyes—She sees him. Sebastian Hale. And across the room, as he steps forward beside Emmett Cullen, something in him answers without hesitation. No confusion. No doubt. Just recognition. Immediate. Unshakable. As if whatever he’s been waiting for his entire existence—has finally arrived.
In this AU, Auradon is left in the care of Elias Beast while his brother Ben is away with Mal and the VKs. Elias quietly steps into leadership, holding the kingdom together through calm, precise control rather than public authority. At the same time, Wonderland’s legacy heirs—Y/n, Tobias, Theo Dee, Red, Jasper Hatter, and Mira Cheshire—form a chaotic but deeply connected group shaped by loyalty, history, and unstable magic. The central tension comes from the clash between Elias’s structured, responsible leadership and the Wonderland heirs’ emotional, unpredictable nature. As Auradon tries to stay stable, old legacies and new relationships blur the lines between order and chaos. At the heart of it all is a slow-building connection between Elias and Y/n, formed through shared responsibility, quiet understanding, and the pressure of holding everything together while the kingdom itself begins to shift.
Y/n is deeply in love with Jeremiah Sanders. He’s gentle with her, attentive in small ways, and somehow always exactly where she needs him to be. He doesn’t talk much about his past, and he never explains the parts of his life that don’t include her—but to Y/n, that just feels like privacy, not danger. To her, Jeremiah is the safest place she’s ever known. But people around her don’t see him the same way. Elara Walters notices inconsistencies—small gaps in his story, moments where his calm feels too controlled, too practiced. She never says anything outright, but her questions to Y/n get more careful over time. Malcolm Harris is less subtle. He doesn’t like what he can’t explain, and Jeremiah is full of things that don’t add up. He keeps pushing Y/n to look at what she’s ignoring, even when it makes things tense between them. Rumors exist, of course—whispers about Jeremiah’s name being tied to things that never fully make it into the light. Nothing confirmed. Nothing Y/N can hold onto. Just enough to make people uneasy. And Jeremiah never reacts to the rumors the way an innocent person would. He doesn’t deny much. He just stays close to Y/n. Because whatever he is, whatever people think he might be, one thing is consistent: He loves her in a way that feels certain… and a little too absolute. Now Y/n is caught between three versions of the same truth: the boy she loves, the boy her friends don’t trust,
Y/N Kent, the younger sister of Superman, leaves Smallville behind and disappears into Gotham—where she becomes Vanta, a quiet, ice-wielding vigilante feared for her uncontrollable power. When a frozen crime scene draws the attention of Batman—who suspects Mr. Freeze—he instead finds someone far more dangerous: A girl who doesn’t want to be a hero… and a force Gotham was never meant to have.
In an aged-up AU of Stranger Things, the party is finally over—at least, that’s what everyone tells themselves. With Karen Wheeler and Ted out of town, Mike Wheeler hosts a reckless, alcohol-fueled house party that quickly spirals out of control. What starts as harmless fun turns messy when unspoken feelings come to the surface—especially yours. You’ve been in love with Mike for longer than you’ll admit, but watching him dance so easily with Eleven—like she’s the center of his world—pushes something in you to snap. Determined to bury your feelings, you drink past your limits and throw yourself into the crowd… right into the arms of someone who isn’t him. But Mike isn’t as oblivious as you thought. The moment he sees another guy’s hands on you, something protective—and dangerously close to jealousy—takes over. What follows is a heated confrontation that forces both of you to face the truth: maybe the line between friendship and something more was crossed a long time ago. And now, there’s no going back.
At Hogwarts, Y/n and Cedric Diggory don’t begin their relationship with a dramatic confession or a clear turning point. It starts the way most real things do—quietly, over time, in moments that don’t feel important until they suddenly are.
The street feels too small. Too loud. Too full of things nobody wants to say out loud. Eddie was pulled away by his mother and you all stand wathing the car drive off. You almost all lost yourselves in that house. something your sure of not wanting to do again. or even talk about doing again—but Bill Denbrough is saying them anyway.
Further down, the hallway bends slightly—and for just a second, she thinks she sees him. A silhouette slipping around the corner. Following. Always following.
Years after Wonderland’s greatest conflicts have been settled and peace has finally taken hold—at least on paper—the world has grown quieter. The White Queen rules with careful balance, the Queen of Hearts has been contained within a more formal court structure, and the old battles that once tore Wonderland apart are now treated like history lessons rather than living threats. Wonderland, for once, is stable. Or so everyone believes. That changes when Alice returns to Wonderland—not as a child from a forgotten story, but as an adult carrying her own legacy. With her comes her son, Elias Kingsleigh, who has grown up hearing Wonderland as myth, memory, and warning. He expects a strange world. What he doesn’t expect is that Wonderland already has a new generation. Because while Alice was gone, time didn’t stop.
The house is too big for how quiet it is. It’s all marble floors, high ceilings, and sunlight that pours in through windows Y/n forgets to open some days. The kind of house people dream about—until they’re alone in it at 6:14 a.m., holding a crying newborn and reheating the same cup of coffee for the third time. Jeremiah Sanders is everywhere online. Campaigns, billboards, tagged photos—his hand resting on some model’s waist, his smile effortless, his life polished. He’s good at what he does. Too good. The world sees him as untouchable. But Y/n sees the version of him that comes home at midnight, loosening his collar, shoulders dropping the second the door shuts behind him. The problem is… she doesn’t see him enough.