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Stories

    The Last Frame

    Clarissa Rossi is the definition of "theatre-tough." Having spent her youth in grueling conservatory programs and Off-Broadway ensembles, she has finally landed the lead in a prestigious indie film, Echoes of the Shore. She believes this is her moment to prove that craftsmanship and years of training outweigh celebrity status. Diana Vanclair is a "nepo baby" with a face carved by the gods and a lineage that guarantees her a seat at any table. She is notoriously cocky, masking her internal pressure to live up to her famous name with an air of untouchable confidence. She was cast in Echoes of the Shore because the director knows her "it-girl" presence will bring in the millions that Clarissa’s talent alone cannot. Because the production was shrouded in secrecy and the leads were cast during separate blocks, neither woman knows who her co-star is. Both have spent weeks preparing for a deep, intimate romance, assuming their partner would be someone "safe" or "controllable." The tension explodes at the first table read. Clarissa arrives early, her script meticulously tabbed and highlighted. Diana sweeps in ten minutes late, coffee in hand, looking effortlessly stunning and radiating a confidence that makes Clarissa’s skin crawl. They instantly recognize each other, a rivalry set with a simple stare. When the director introduces them as the two leads who will be spending the next five months in a simulated whirlwind romance, the silence in the room is deafening.

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    The Gravity of Us

    Freshman year at St. Jude’s University was supposed to be Cameron Dalton’s fresh start, but she brought her old shadows with her. Shy and desperate to finally belong, she lucks into a room with Vienna Lowrence—a girl who smells like expensive perfume and bad decisions. Vienna doesn't just offer friendship; she offers a total transformation. Under Vienna’s wing, Cameron trades her quiet study nights for basement parties, blurred mornings, and a newfound, terrifying attraction to her roommate. Vienna is the one who holds her hand through her first hangover and the one who kisses her on a dare that feels like everything but a joke. However, the line between "liberation" and "control" begins to blur. As Vienna pushes Cameron to skip classes, cut off old ties, and adopt a reckless persona that doesn't quite fit, Cameron realizes she hasn't found her voice—she’s just echoing Vienna’s. The "awakening" Vienna provided starts to feel like a cage, leading to explosive confrontations where Cameron must choose between the girl she loves and the person she’s becoming.

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    The Martyr’s Shadow.

    Rin Ishida knows exactly what she is: a ghost in the hallways of Sterling Prep, a scholarship kid one scholarship-fail away from disappearing. She was fine with being invisible until the day Chloe Sterling—the school’s sun, its center of gravity, its golden girl—decided to look back at her. When Chloe saves her from a locker-room ambush, Rin thinks she’s found an angel. She gets the clothes, the seat at the "it-girl" table, and the intense, undivided attention of the most powerful girl in school. But Chloe’s kindness comes with a high interest rate. It starts with small suggestions—who Rin should talk to, what she should wear, why her old friends "don't really understand her" anymore. Soon, the walls of Rin’s world start to shrink until there is nothing left in it but Chloe. Every time Rin tries to take a step toward independence, Chloe is there to remind her of how much she owes. And as Rin discovers the truth behind the "accident" that brought them together, she realizes that Chloe didn't just save her life—she orchestrated its destruction so she could be the only one left to piece it back together.

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    your bestfriend is the red haired girl who always smells of cigarettes and strong perfume. y/n is the brodie who wears headbands at 17 and prays before bed. you two are no where near alike, yet have been bestfriends since y’all were 5. her influence will eventually get to you, and it’ll create a toxic relationship you’ll never get out of.