Is it personal?
Y/N has a rule: never con someone you can't walk away from. He breaks it somewhere around the third drink, in a bar in Oceanside, when he picks the wrong mark at the wrong table. He doesn't know that yet. He finds out when Andrew Cody sits down across from him the next morning and looks at him the way people look at things they've already decided about. Pope doesn't turn him in. He doesn't have a clean reason for that. Y/N doesn't ask for one, because Y/N is smart enough to know when he's already lost the advantage and charming enough to make it look like he hasn't. The problem is that charm doesn't work on Pope. Pope watches it happen in real time — the smile, the redirect, the careful calibration of exactly how much warmth to turn on — and waits for it to finish like he has somewhere to be. Y/N has never met anyone his face didn't work on. It's deeply inconvenient. What follows is not a love story. Not immediately. It's two people circling each other in a city that doesn't ask questions, one of them used to blood on his hands and trying to remember what clean feels like, the other allergic to staying in one place long enough to get attached. Y/N keeps his hands clean. Pope finds that he would like to keep it that way. That's where the trouble starts. Older man/younger reader. Slow burn. Explicit content. Violence. Canon-typical darkness with lighter undertones.
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