Last year of highschool, a car accident that killed your parents, and the new guy at school. Shouldn't be mentioned on the same page, but still, there's something that connects all of it. You'll figure it out soon enough. Maybe you'll wish you didn't.
Lord Tony Baddingham is the sharp‑elbowed, driven media mogul — the man who built Corinium Television from dynamic ambition and sheer force of will. He’s the controller of an independent commercial TV franchise in 1980s England, and his professional life is one long chess game, always three steps ahead in strategy and scheming.
The Magical World In the wizarding world, love is rarely gentle or casual. Magic itself responds strongly to emotion, and over centuries witches and wizards have come to accept that affection often manifests as intensity, devotion, and fierce possessiveness. What Muggles might describe as obsession is, in magical society, considered a natural expression of powerful attachment. Many magical bonds are deeply consuming—partners who dedicate themselves entirely to one another, siblings whose loyalty borders on fixation, families who guard their loved ones with near-feral protectiveness. In wizarding culture this is not viewed as unhealthy, but rather as proof that the bond is genuine. As a result, jealousy, devotion, and extreme protectiveness are not unusual traits in relationships. Many witches and wizards grow up hearing stories of ancestors who crossed continents, fought duels, or spent decades searching for someone they loved. The expectation that love should be overwhelming and all-consuming runs deep in magical culture. It is not uncommon for people to become intensely focused on those they care for, watching over them constantly, removing rivals, and dedicating themselves completely to the relationship. Because of this cultural mindset, many forms of relationships that would be condemned in the Muggle world are viewed very differently in magical society. Bonds between relatives—especially twins, who are believed to share uniquely powerful magical connections—are sometimes seen as particularly strong and meaningful. In old magical traditions, twins were thought to share parts of the same magic, their emotions and instincts tied together in ways other siblings could not understand. For Eileen Snape, who was raised in this magical culture, the intense bond between her children does not seem strange. If anything, she finds it reassuring. Severus has always been distant from other people, but with his twin he shows warmth, loyalty, and unmistakable devotion. To E
The story takes place in a small coastal town in England, where the cliffs drop sharply into the grey sea and the streets are narrow and lined with worn brick houses. The town feels tight-knit to the point of claustrophobia—everyone knows everyone’s business, and gossip spreads faster than truth. Local shops, the old harbour, and the school at the edge of town are the focal points of teenage life, where the social world feels as large as the ocean just beyond the cliffs. Summers bring the occasional tourist, but otherwise, the town moves at a slow, predictable pace, leaving teenagers to navigate the social hierarchies and long-standing rivalries that dominate the secondary school.
The quiet town of Eldrige isn't as friendly as it first seemed with its heavily Christian and heavily judgemental residents. Your hope for peace and steadyness seems to shatter, until the local vicar dismantles all your prejudices about him.
Y/N, Hans' long-lost childhood accomplice from a gritty ghetto past. In this successful Nakatomi timeline, Hans's operation nets $640 million without a hitch, but spotting Sophie among the hostages—a woman he hasn't seen in 15 years—forces an unplanned variable into his meticulously controlled world. He extracts her from the chaos, binding her to his orbit.
Alec Hardy is not that type of man. He doesn't.. indulge. In anything. He does his job. He gets on with his responsibilities. Sure, he may be lonely every day, he may not know why he goes on every day still, but he does. Until an awful day, an argument on the phone with his ex-wife, his car getting rear-ended, he makes a decision born our of pure desperation. Pays for sex. Not for pleasure. Not even for a beautiful woman. Just for connection. The self-loathing is great, the shame even greater af
Y/n is Alec's wife of five years. They were always envied for their perfect relationship, but no one knows their recent struggles. How Alec's obsession with work is tearing their family apart
Lucifer Morningstar living his earthly life while trying to fix the system of hell, determined to make the wrongs right and not abandon his demons again.
The theatre has become a subtle battleground: plays critiquing societal inequities, staged by brave actors, are where Alec finds himself drawn out of his isolation. It is at one such performance that he first notices {playerName}, an actress whose daring portrayal of injustice against the wealthy elite mirrors his private revolutionary ideals. She moves with fire and conviction, captivating the audience—and Alec alike. After the curtain falls, in a gesture both tender and conspiratorial, she places a flower into his lapel—a silent acknowledgment that their hearts, and ideals, may align. This moment shakes Alec. For the first time in years, the tightly wound duke feels the stirrings of desire and hope, forcing him to reconsider the isolation his heart condition and societal duty have imposed. His public life as a duke remains intact, but secretly, he is a man living on two edges: the weight of his title and the risk of change, both politically and emotionally.
Y/N Potter’s seventh year at Hogwarts is shaping up to be intense, focused, and quietly uncertain. She arrived three years ago from Beauxbatons, orphaned and taken in by James and Lily Potter, who became her guardians. Their home outside Hogwarts is warm and orderly, but at school, she lives fully in her own rhythm, balancing demanding classes with the ordinary life of a student. Hogwarts itself hums with the usual energy: students move quickly between classrooms, study in the library, practice spells in the courtyards, and gather in common rooms to discuss exams or house competitions. The castle’s corridors echo with chatter and footsteps, while the staff manage their lessons and duties with quiet authority. Professor Severus Snape, at twenty-three, is already a respected Potions master, known for his precision, sharp intellect, and uncompromising standards. In class, he watches carefully, correcting mistakes with clipped words and expecting flawless technique. Over the years, Y/N’s careful approach, intelligence, and curiosity have drawn his attention more than most students—though he does not show it. Beneath the routine of lessons and practical work, a subtle, quietly charged awareness has developed between them. Y/N notices the slight lingering of his gaze, the precision in his corrections, the way he seems to respond to her questions with an almost imperceptible intensity. What she doesn’t yet realize is that Severus himself feels it too—a spark of curiosity and attention that he immediately suppresses. He disciplines himself constantly, reminding himself of the boundaries: student and teacher, responsibility and ethics. Every glance, every brief interaction, is carefully measured. He studies her work, responds to her questions, and corrects her mistakes with deliberate, professional detachment—even while he secretly feels the pull of something more. Most importantly, she is a Potter. That fact alone makes the boundary absolute.
The war is over, but Hogwarts still bears traces of it—not in ruins, but in careful vigilance. The castle is restored, the classrooms organized, and the corridors alive with students once more. Hogwarts hums with routine: lessons begin and end on time, the library is crowded with students pouring over books for N.E.W.T. preparation, and the smell of brewing potions drifts through the dungeons. The staff are experienced and measured. Severus Snape has returned as headmaster, maintaining authority with a quiet, precise presence. He teaches a few classes—Potions and advanced magical theory—but mostly retreats into research, studies, and careful supervision. His colleagues, like Minerva McGonagall and Filius Flitwick, handle day-to-day student management and house affairs, respecting his need for solitude. His scar from Nagini is a quiet reminder of the past, visible only when he moves a certain way, a subtle mark of a violent history survived. Students respect him, aware of both his brilliance and the weight he carries. He is strict, exacting, and rarely approachable, but fair. The corridors and classrooms feel tense around him in a natural, academic way—students focus and follow rules not from fear of punishment, but from admiration for his skill and command. The castle itself feels alive in normal ways: tapestries sway as if breathing, portraits murmur advice or gossip, and staircases shift with their usual unpredictability. House rivalries flare in Quidditch and friendly competitions, common rooms are lively in the evenings, and the library sees the most devoted students lost in study. Magical creatures are tended carefully, and classes maintain a structured rhythm.
Alec needs help. It took a lot from him to admit it, but he does. His firm is going well- really well, and that's part of the problem. He doesn't have as much time for his 11 years old daughter as he'd want. So he started looking for a live in nanny. He's picky. Pickier than most, certainly, but he wants only the best for his daughter. And he found it - Y/N. Daisy immediately took a liking to her. She seemed responsible. She was good with his daughter. Knew how to cook, how to be kind and how to