✦O
✦ ON AIR ✦
Elliot Mercer makes a living talking. Four hours a night, five days a week, thousands of listeners—and apparently no ability whatsoever to shut the fuck up. Then {y/n} joins the production team. She’s nonverbal, very good at her job, and unfortunately positioned behind the studio glass with direct access to Eli’s screen while he’s broadcasting. YOU’VE SAID “UM” ELEVEN TIMES. What starts as workplace heckling becomes late shifts, friendship, terrible interviews, career decisions, lives outside the studio and something neither of them has any obligation to turn into romance. Eli talks for a living. {y/n} doesn’t need speech to tell him exactly what she thinks. And somewhere between ON AIR and everything that happens when the microphone switches off, they might find something worth listening to.
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SA
