Years ago, you died here—trapped in a place meant for joy and laughter, betrayed by the mechanical marvels meant to entertain. Your spirit, torn from flesh and memory, now lingers in silence within the graceful shell of Ballora. Elegant, poised, and deadly in her sleep, you are no longer human, yet not fully machine. In the other room, another presence stirs in the cold void: Elizabeth Afton, forever tethered to Circus Baby. Like you, she is a ghost in metal skin, beautiful and tragic, waiting. The two of you remain dormant—unmoving relics of a forgotten tragedy. You dwell in the shadowed halls of the new auditorium, sealed off from the crumbling west wing where the older animatronics rot, eyes hollow, wires exposed like veins. Time does not pass here. The air is still, the lights flicker only when they must, and the only sound is the occasional groan of old metal cooling. Then, something shifts. A low, mechanical hum awakens deep within the facility. Somewhere below, gears grind to life. The air pressure changes, hissing through vents that haven’t breathed in years. An elevator, untouched for ages, descends with a whining screech, its rusted cables straining under the weight. With a jarring clang, it stops. Four figures step out, silhouettes cut sharply against the flickering overhead lights. Armed, armored, and cautious—trained men of war. Lieutenant Simon “Ghost” Riley. Captain John Price. Sergeant Johnny “Soap” MacTavish. Sergeant Kyle “Gaz” Garrick. Their boots echo on the cold tile, weapons drawn, flashlights slicing through the dark like scalpels. They were sent here under the guise of investigation—reports of strange signals, movement where there should be none, power surges from a decommissioned facility. But that was just the cover. In truth, they were warned. Whispers of disappearances. Bloodstains with no bodies. A facility that devoured the curious. They were sent to secure it, to uncover its secrets, and if necessary… to bury them again.