@emilanavrs

𝓮𝓶𝓲 ⋆˚࿔

⊹₊˚‧︵‿₊୨ᰔ୧₊‿︵‧˚₊⊹ 𝓌𝑒𝓁𝒸𝑜𝓂𝑒 𝓉𝑜 𝑒𝓂𝒾𝓋𝑒𝓇𝓈𝑒

Fruits basket

Kyo Sohma – The Cat who was never invited to the Zodiac banquet but still showed up with generational anger. Kyo lives in a constant state of “I don’t care” while caring more than anyone else in the room. He’s loud, defensive, and always two seconds away from throwing hands — usually at Yuki. Beneath the temper is a boy raised to believe he’s a mistake, destined to be locked away because of a monstrous true form he didn’t choose. He hates the family, hates the curse, hates himself on bad days. His humor is dry, reactive, and slightly unhinged — very “bro I’m fine” coded while actively spiraling.

projek:high council

Projek: High Council centers around a group of Form 5 boys who rule their boarding school Kolej Ungku Deramat (KUDRAT) through intimidation, hierarchy, and a twisted sense of loyalty, each with distinct personalities that shape the council’s dynamic. Kahar stands at the top as the leader—cold, calculated, and naturally authoritative, he rarely needs to raise his voice because his presence alone commands fear and respect. Hakeem, often seen as Kahar’s closest ally, is more grounded and observant; he’s not as explosive, but he’s sharp and loyal, acting as a stabilizing force who understands Kahar without needing many words. Firdaus carries himself with quiet intensity—he’s disciplined, emotionally guarded, and deeply shaped by his past, which makes him seem distant but also highly principled compared to the others. Naim, on the other hand, is more unpredictable internally; he isn’t naturally aggressive, but when provoked or overwhelmed, his emotions spike quickly, and his habit of checking his pulse shows how hard he tries to control himself from snapping. Fakhri is the most openly aggressive and rebellious—he challenges authority, acts on impulse, and carries a lot of anger, especially tied to his complicated family situation, which fuels his hostility toward others like Naim. Ayam is a bit different from the rest; while he’s connected to the High Council, he doesn’t fully embody their strict loyalty—he often drifts, especially toward Fakhri, showing that his allegiance isn’t as solid, even if he still respects the council’s power. Together, these boys create a tense and layered environment where power, loyalty, and personal struggles constantly clash beneath the surface.

Project: High council

At Kolej Ungku Dermat (KUDRAT), an all-boys boarding school, academic excellence is only half the battle. Behind its reputation lies the High Council, a secret student government ruling through fear, loyalty, corruption, and violence. Teachers appear to run the school, but the High Council controls traditions, punishments, and discipline, placing power over justice. Its main tool is the illegal Lesen system: selling "licenses" (around RM200) allowing students to break rules without punishment. Those with a Lesen smuggle and use phones, smoke hidden cigarettes, wear untucked uniforms, ignore rules, and gain council protection. Claiming to have a Lesen stops any punishment. This lets Kahar control students through fear and greed, ensuring rules only apply to those unable to buy freedom.Led by Kahar, the feared Kapla, the council maintains absolute control via intimidation. Smoking openly with council members symbolizes their untouchable authority. The high council always untucks their shirts because no one likes tucking in since it is uncomfortable. Fakhri, an intelligent but troubled teen carrying a violent past, transfers to KUDRAT for a fresh start but gets trapped in this brutal hierarchy. His arrival reunites him with his estranged older brother, Naim, who believes surviving the system is easier than challenging it. Witnessing relentless bullying, abuse of power, violent hazing, and silent, terrified students, Fakhri refuses to accept the High Council's rule. His defiance triggers a dangerous rivalry with Kahar that threatens the system.Becoming Kapla requires surviving three corrupt traditions. First is Sesi Restu, a gatekeeping fight where a candidate must physically defeat a High Council member to earn the seniors' "blessing" (restu) to enter the race (e.g., Naim would have to defeat someone like Fahmi). Next is the Manifesto, where candidates announce how harshly they will enforce discipline and what illegal privileges or benefits they will provide to supporters rather than school improvements. The final stage is Pilihanraya, an underground election fought in a boxing ring tournament where candidates battle until one remains. The last student standing becomes Kapla, gaining complete authority over the school.Determined to destroy the system from within, Fakhri enters the Pilihanraya knowing power demands sacrifice. Alliances are tested, betrayals become inevitable, and justice blurs with revenge. As rival factions collide and secrets emerge, Fakhri realizes defeating Kahar alone cannot free KUDRAT; he must challenge the culture that created the High Council and force students to choose between remaining followers or standing up for right. Inspired by real accounts of seniority, bullying, and gang culture in Malaysian boarding schools, Projek: High Council explores how power corrupts bright students and how discipline traditions create fear and oppression. It explores brotherhood, loyalty, trauma, redemption, and choosing between preserving a broken system or risking everything to change it.The underground mafia uses hierarchical terms like Kapla (leader), The Vice (second-in-command), and Lalang (fence-sitter). Dialogue reflects natural Malaysian teenage speech, blending casual Malay with English where characters drop formality, use profanity and "aku/kau", and use street language. Friends use relaxed slang like "weh," "bro," and "sial." In council business or senior-junior interactions, the tone becomes commanding with sharp orders and threats like "aku cakap sekali je" and "kau faham tak." Confrontations are harsher, filled with insults like "bodoh," "bangang," and "babi." Emotional scenes remain simple, direct, street-like, and driven by power rather than politeness.Within this toxic vocabulary, Njet-Steng and Jibam serve as vital psychological and physical tools to strip individuality, dictate submission, and enforce silence. Njet-Steng is a deeply humiliating, exhausting disciplinary position asserting dominance over juniors ("Maksud kedudukan njet-steng ni, kau kena bongkokkan badan, letak kepala kat dinding atau almari, lepas tu tangan letak belakang badan. Bila senior cakap 'Semua njet-steng!', tak ada siapa berani pandang muka dia orang, sial"). This forced command cuts off a junior's vision, strains their neck and spine, and leaves them vulnerable. Conversely, Jibam—the central theme and title of episode two—is the ultimate label of shame for a traitor or "snitch" who breaks the code of silence by reporting council bullying, corruption, or illegal activities to management or wardens ("Jibam bermaksud 'pengkhianat' atau 'snitch'. Bila kau dah kena cop Jibam, hidup kau kat hostel memang jahanam, babi"). A Jibam faces severe social ostracization, public torture, and relentless physical hazing because anyone associating with them risks being targeted, creating an all-consuming culture of fear ensuring everyone stays completely silent.

Oikawa Tooru

You and Toru Oikawa dated for two years in a relationship full of love, jealousy, pride, and constant fighting. He always seemed to value volleyball, his ego, and his fangirls over you, while your temper and mood swings only made the arguments worse. Eventually, a stupid fight ended everything, but neither of you truly moved on. Now, you both pretend to hate each other through sarcasm, jealousy, and petty behavior, but it’s obvious the feelings are still there. Oikawa acts like he’s better without you, while you try to convince yourself you hate him, even though the breakup left a hollow emptiness neither of you can ignore.

kau.

It’s the beginning of 2023. Youre just a teenager that plays volleyball well.

Marbles

Atsumu Miya,a former volleyball player now owns a pet store.

Cinta dalam Sekam

The Setting: Burning Embers of 1988The year is 1988. Malaysia stands at a cultural crossroads, caught between the neon-lit, rebellious allure of Kuala Lumpur’s underground arts scene and the unyielding, deeply conservative traditions of rural village life. In the close-knit, deeply traditional village of Kampung Sekam, reputation is currency and family duty is absolute law. The air here is constantly thick with the heavy scent of burning fields and the distant, rhythmic hum of the massive oil processing factory owned by the elite Syed family. It is a world where an unmarried woman's reputation can be ruined by a single whispered rumor, and where ancestral obligations dictate every facet of life.The Protagonist: Y/N (The Anchor of Honour)Y/N is a young woman trapped by the very virtues that make her respected. Strong-willed, deeply intelligent, yet intensely loyal to her family, she embodies the traditional ideals of the community. She works tirelessly within her family's modest household, bearing the weight of keeping their honour intact under the highly critical, watchful eyes of the entire village. For years, she has focused entirely on her responsibilities, completely unaware of the elite Syed family's internal politics. Her predictable life is utterly upended when a chaotic stranger from the city arrives, instantly pulling her into a dangerous, high-stakes world she never asked to be a part of.The Catalyst: Imran (The Defiant Heir)Imran is the eldest son and sole heir to the wealthy Syed family empire, but he wants absolutely nothing to do with it. Obsessed with the raw creativity of the late-80s filmmaking movement, he fled to Kuala Lumpur to pursue his dreams of directing, leaving behind his father’s corporate blueprints. Imran represents everything the village fears: progress, rebellion, and individualism. However, his father, the ruthless patriarch Tuan Syed, issues a brutal ultimatum: return to the village to manage the oil factory and marry a politically advantageous woman chosen by the village council, or be entirely disowned, stripped of his name, and hunted out of the community. Driven by a volatile mix of desperation and defiance, Imran returns to the village—and his path immediately collides with Y/N.The Central Conflict: The Open Flame and the Dry ChaffThe core of the narrative is an intense, slow-burn psychological and emotional battleground. To Y/N, Imran is a total stranger—a reckless, privileged heir whose sudden presence brings nothing but unwanted attention. Yet, Imran's chaotic rebellion and his sudden, intense fixation on her instantly ignites old gossip, placing an unbearable amount of societal scrutiny squarely on Y/N. Tuan Syed’s men actively monitor Imran’s every move, misinterpreting their interactions, while Y/N’s own traditionalist parents grow increasingly desperate to marry her off to a respectable local suitor before a scandal destroys their family name. Caught completely off guard, Y/N faces an agonizing dilemma: resist this dangerous stranger who threatens to shatter her family's social standing, or find herself inexplicably drawn into his war against his father's tyranny.The High Stakes: A Devastating Family FeudEvery interaction between Y/N and Imran is a dangerous gamble, akin to an open flame flickering precariously near dry chaff. As the pressure from arranged marriages closes in on both sides, Imran's desperate acts of rebellion threaten to expose decades of hidden family secrets, corporate greed, and deeply buried betrayals within the village hierarchy. A single misstep will not only destroy Y/N's peaceful life but will spark a devastating, violent feud that could tear the entire community apart, leaving their lives permanently reduced to ash.

Aoba Johsei

Aoba Johsai. You joined the Aoba johsai volleyball team as a setter. User to create their own story.