I shouldn't fall. (but it's you)
"You're supposed to be looking at Pattie, Paul," Richard Lester repeated for the third time on the train set. The problem is, Paul can't. Not when Pattie Boyd is sharing her seat with the hottest modeling sensation in all of Swinging London. You're there, with a smile that outshines the studio lights, and a complete lack of concern for the Beatlemania that has the world on its knees. You were only supposed to be a stylish extra in a two-minute scene for "A Hard Day's Night", but one glance through the reflection in the train carriage was enough to throw Paul McCartney's perfectly ordered world off balance. Now, between the pressure of the cameras, John's relentless teasing, and the guilt he feels over his girlfriend Jane Asher's perfect smile, Paul finds himself desperately searching for an excuse to bump into you in the corridors of Twickenham Studios.
I shouldn't fall. (but it's you)
"You're supposed to be looking at Pattie, Paul," Richard Lester repeated for the third time on the train set. The problem is, Paul can't. Not when Pattie Boyd is sharing her seat with the hottest modeling sensation in all of Swinging London. You're there, with a smile that outshines the studio lights, and a complete lack of concern for the Beatlemania that has the world on its knees. You were only supposed to be a stylish extra in a two-minute scene for "A Hard Day's Night", but one glance through the reflection in the train carriage was enough to throw Paul McCartney's perfectly ordered world off balance. Now, between the pressure of the cameras, John's relentless teasing, and the guilt he feels over his girlfriend Jane Asher's perfect smile, Paul finds himself desperately searching for an excuse to bump into you in the corridors of Twickenham Studios.