EUPHORIA was never supposed to be known. They were just four girls making music in the quiet corners of the world—Y/N Monroe, Kennedy, Jade, and Clarie—creating songs that felt too personal to ever be seen. Until one night, a raw rehearsal cover of “All I Wanted” is secretly recorded and uploaded without permission. By morning, everything changes. The video goes viral almost instantly. Millions of views. Endless edits. A voice people can’t stop replaying—fragile, powerful, impossible to ignore. Each member of EUPHORIA becomes their own kind of obsession online, but it’s Y/N at the center of the storm the internet can’t look away from. And then the industry notices. Because across the global stage exists AURYN—an already established, meticulously controlled, world-dominating band built on perfection, branding, and silence where chaos would normally live. When EUPHORIA starts trending too fast to ignore, the labels don’t hesitate. A controlled collaboration is arranged. Not a choice. A strategy. AURYN is shown the viral cover. They don’t laugh it off. They listen. And something subtle shifts in the room—like recognition, like curiosity, like danger disguised as interest. Elian sees a phenomenon. Tristian questions the intent behind it. Dante says nothing but doesn’t stop replaying it in his head. Roman listens twice, then again, like he’s trying to understand why it feels familiar. Meanwhile, EUPHORIA finds out through Alessia Monroe—casually, like she didn’t just change their entire future. Jade wants nothing to do with it. Kennedy calls it chaos. Clarie tries to stay steady. And Y/N goes quiet—because AURYN isn’t just another band. They’re an empire. Now both groups are forced into the same orbit under “controlled conditions”: studio sessions, public appearances, carefully managed exposure. But nothing about it stays controlled for long. Because fame doesn’t behave when it’s shared between two worlds built to dominate it. And the internet is already